Bottle for smelling salts
Both the crane motif and the type of enamel technique derive from Japanese applied art. Shortly before the renowned Paris jeweller Falize made this little bottle, Japanese objets d’art were exhibited in Paris for the first time. These items had not been made for export to the West but for the Japanese internal market. The Japanese influence on Falize became evident in his work almost immediately after the exhibition.
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aggregatedCHO
isShownAt
Bottle for smelling salts
Both the crane motif and the type of enamel technique derive from Japanese applied art. Shortly before the renowned Paris jeweller Falize made this little bottle, Japanese objets d’art were exhibited in Paris for the first time. These items had not been made for export to the West but for the Japanese internal market. The Japanese influence on Falize became evident in his work almost immediately after the exhibition.
contributor
creator
description
Both the crane motif and the t ...... ediately after the exhibition.
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Zowel de voorstelling van een ...... stelling in zijn werk te zien.
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format
identifier
BK-2009-50
language
publisher
Rijksmuseum
relation
title
Bottle for smelling salts
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Reukflacon
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created
c. 1867 - c. 1870
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ca. 1867 - ca. 1870
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extent
depth 1.7 cm
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diameter 2.1 cm
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flacon breedte 4 cm
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flacon diepte 1,7 cm
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flacon hoogte 6,5 cm
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height 6.5 cm
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ring diameter 2,1 cm
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width 4 cm
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isPartOf
Collectie: juwelen
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Collection: jewellery
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spatial
temporal
derde kwart 19e eeuw
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third quarter 19th century
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