‘La Loge au Mascaron doré’ (The Box with the Gilded Mask)
The title of this print refers to the gilded mask on the balustrade of the theatre box. The woman’s companion is a friend of Lautrec, the English artist Charles Conder. The intriguing composition was inspired by the interplay of lines and the cropping in Japanese woodcuts. This lithograph was intended as the programme of a play and is a fine example of effective and sparing use of colour.
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isShownAt
‘La Loge au Mascaron doré’ (The Box with the Gilded Mask)
The title of this print refers to the gilded mask on the balustrade of the theatre box. The woman’s companion is a friend of Lautrec, the English artist Charles Conder. The intriguing composition was inspired by the interplay of lines and the cropping in Japanese woodcuts. This lithograph was intended as the programme of a play and is a fine example of effective and sparing use of colour.
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Gift of M.W. Troost, Bergen (Noord-Holland)
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Schenking van mevrouw M.W. Troost, Bergen (Noord-Holland)
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contributor
creator
description
De titel van de prent verwijst ...... ief en spaarzaam kleurgebruik.
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The title of this print refers ...... ive and sparing use of colour.
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format
identifier
RP-P-1949-561
language
publisher
Rijksmuseum
title
‘La Loge au Mascaron doré’ (De loge met het vergulde masker)
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‘La Loge au Mascaron doré’ (The Box with the Gilded Mask)
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type
created
1894
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1894
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extent
beeld breedte 327 mm
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beeld hoogte 372 mm
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height 372 mm
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width 327 mm
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isPartOf
Collectie: prenten
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Collection: prints
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isReferencedBy
Delteil 16 1(2)
Wittrock 16, first edition 1893
spatial
temporal
fourth quarter 19th century
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vierde kwart 19e eeuw
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