Tobias and the Angel

On the basis of the watermark in the paper used for this etching, it could be dated to around 1630–1633. It must have been one of Segers’ last prints, and given the representation and its sensitive execution also his most ambitious one.

Tobias and the Angel

On the basis of the watermark in the paper used for this etching, it could be dated to around 1630–1633. It must have been one of Segers’ last prints, and given the representation and its sensitive execution also his most ambitious one.