Sarphatistraat and Hoge Sluis, seen from the Paleis voor Volksvlijt; Frederiksplein and Weteringschans, seen from the Paleis voor Volksvlijt; Binnen-Amstel, seen in the direction of the Munt
At the dawn of the 20th century, Amsterdam’s rapidly changing face served as the setting for photographer and decorative painter Heinen. With camera at hand, he climbed tall buildings, such as the Paleis voor Volksvlijt (Palace for Art and Industry), which burned down in 1929, and the Rijksmuseum, to take his panoramas.
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isShownAt
Sarphatistraat and Hoge Sluis, seen from the Paleis voor Volksvlijt; Frederiksplein and Weteringschans, seen from the Paleis voor Volksvlijt; Binnen-Amstel, seen in the direction of the Munt
At the dawn of the 20th century, Amsterdam’s rapidly changing face served as the setting for photographer and decorative painter Heinen. With camera at hand, he climbed tall buildings, such as the Paleis voor Volksvlijt (Palace for Art and Industry), which burned down in 1929, and the Rijksmuseum, to take his panoramas.
contributor
creator
description
At the dawn of the 20th centur ...... museum, to take his panoramas.
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Het snel veranderende Amsterda ...... enaf zijn panorama’s te maken.
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identifier
RP-F-F25738-V
language
publisher
Rijksmuseum
title
Sarphatistraat and Hoge Sluis, ...... n in the direction of the Munt
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Sarphatistraat en Hoge Sluis, ...... mstel, gezien richting de Munt
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type
created
c. 1894
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ca. 1894
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extent
breedte mm
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height mm
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hoogte mm
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width mm
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isPartOf
Collectie: foto's
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spatial
temporal
fourth quarter 19th century
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vierde kwart 19e eeuw
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