Architectural fragment

At the top we see the Buddha being worshipped by two devotees. The yaksha Vajrapani, his bodyguard, stands behind him. A begging bowl standing on a throne crowns the scene. Below, in the centre, the Buddha receives a visit from the Vedic god Indra and his retinue in the Indrashalaguha cave. On the left, the Buddha tames the mad elephant Nalagiri, who was sent by a jealous monk to harm him. On the right, two children are offering the Buddha a handful of dust from the earth, as alms. The style of this relief betrays the Hellenistic and Roman influence characterising the Buddhist art of Gandhara. This region in the north-west of ancient India (now part of present-day Pakistan and Afghanistan) had regular mercantile contacts with the west.

Architectural fragment

At the top we see the Buddha being worshipped by two devotees. The yaksha Vajrapani, his bodyguard, stands behind him. A begging bowl standing on a throne crowns the scene. Below, in the centre, the Buddha receives a visit from the Vedic god Indra and his retinue in the Indrashalaguha cave. On the left, the Buddha tames the mad elephant Nalagiri, who was sent by a jealous monk to harm him. On the right, two children are offering the Buddha a handful of dust from the earth, as alms. The style of this relief betrays the Hellenistic and Roman influence characterising the Buddhist art of Gandhara. This region in the north-west of ancient India (now part of present-day Pakistan and Afghanistan) had regular mercantile contacts with the west.